Sci-fI Films Essay -- essays research papers

In this essay I am going to discuss about the topic: â€Å"Science fiction often plays off the real against the artificial, either in the form of humans versus non-human (androids, cyborgs, synthetics), or the world versus the non-world (cyberspace, inner-space, intentional space)†. I have chosen the films â€Å"The Matrix† and â€Å"Bicentennial Man† An explosion in information access and exchange is fueling the Information Superhighway that was created as a result of the computer revolution. If technology has truly become a god, then cyberspace is definitely its bible. Its scope is endless; its breadth enormous. Although the foundation of cyberspace, the computer, definitely serves to dehumanize culture, the Information Superhighway itself does not. If anything, cyberspace is re-humanizing the computer revolution. The World Wide Web, through pictures and graphics, has added personality and more personal contact to a technology that for years was ‘just the facts.’ Although the statement might be made that this is a pseudo-rehumanization that masks true human characteristics with digital ones, this is at least a step in the right direction. Something that removes the human qualities or attributes from culture can be said to dehumanize it. This technology destroys our view of truth and meaning. The basic presupposition of the Information Superhighway is that it contains information on any subject and can answer any question. It causes people to search places other than God for direction, truth, and meaning. Involvement with the technology serves to replace our involvement with reality. There is a tendency for people to start thinking of themselves and others in terms of their online personalities. Many people develop a whole other life on-line and some even end up being unable to separate their on-line identity from their real one. Recent movies such as The Matrix and Bicentennial Man serve to further blur this already fuzzy line. Bicentennial Man, directed by Chris Columbus (US, 1999), is based on a story Isaac Asimov wrote in 1975 and like many of his stories, it deals with the enigma of a machine with the intelligence of a man, but without the rights or the feelings. As we might expect the film presents Asimov's concept of the intelligent robot, a concept that, like Asimov himself, pre-dates the modern world of personal computers, video games, the Internet, 'e... ...housand years ago. If the portrayal of intelligent machines in films teaches us anything, it is that it is fortunate that such machines do not yet exist. It is fortunate that is, for the machines, because all the evidence would indicate that we are not yet ready to treat them as fellow persons. Fortunate too for us perhaps, because when they became smart enough to mount a successful rebellion they might make us pay for their oppression (Mitchell 2003). Reference: 1. Edwards, D A, ‘The Matrix’, The Matrix: An Ideological Analysis, viewed 5 June 2005, http://fiffdimension.tripod.com/matrix.htm1. 2. Menor F 2000, The Matrix(1999), viewed 7 June 2005, http://www.imdb.com/title/tt0133093/ 3. Mitchell, D 2003, What s it like to be a Robot?, viewed 7 June 2005, http://www.zenonic.demon.co.uk/zenorobot.htm 4. Setzer V W 2002, AI - Artificial Intelligence or Automated Imbecility, viewed 7 June 2005, http://www.transintelligence.org/articles/Artificial%20Intelligence.htm 5. The Matrix 1999, motion picture, Prod. Joel Silver. Dir. The Wachowski Brothers. Perf. Laurence Fishburne, and Keanu Reeves 6. www.duke.edu/~djs12/Lit%20Theory/ Lit%20Theory%20-%20The%20Matrix.doc